
Saydnaya prison, as reconstructed by Forensic Architecture using architectural and acoustic modelling. Image: Forensic Architecture, 2016
An architecture collective that uses 3D modelling to expose human rights abuses is among the 2018 nominees for art award the Turner Prize.
Forensic Architecture, which recreates sites of conflict, abuses and trauma such as Saydnaya Prison near Damascus and Grenfell Tower in London, joins artists Naeem Mohaiemen, Charlotte Prodger and Luke Willis Thompson on the shortlist for the £25,000 British award.

Dubbed an ‘architectural detective agency’, the group worked with Amnesty International in 2016 to recreate the notorious Saydnaya Prison – of which there are no images – using architectural and acoustic modelling, and gathering witnesses accounts of their experiences of detention. More recently it has launched a crowd-sourced initiative to reconstruct and analyse the Grenfell Tower blaze that killed 71 people, using footage and testimonies to provide a ‘spatial database’.

Based at Goldsmiths university, Forensic Architecture has exhibited at the ICA in London, MACBA Barcelona and MUAC Mexico. It was selected by the Turner Prize jury for ‘developing highly innovative methods for sourcing and visualising evidence relating to human rights abuses around the world, used in courts of law as well as exhibitions of art and architecture’.
Forensic Architecture is not the first architectural collective to receive a Turner nod. Assemble won the coveted art prize in 2015 for its urban regeneration project Granby Four Streets in Liverpool. ‘In an age when anything can be art, why not have a housing estate?’ said judge Alistair Hudson at the time of their nomination.

All 2018 Turner Prize nominees use video as a core part of their oeuvre and probe socio-political concerns.
Said Tate Britain director, Alex Farquharson: ‘This year’s jury has chosen an outstanding group of artists, all of whom are tackling the most pressing political and humanitarian issues of today. This shortlist highlights how important the moving image has become in exploring these debates. We are looking forward to what will be a dynamic and absorbing exhibition.’

Fellow Turner Prize nominee Naeem Mohaiemen. Photography: Abeer Hoque

Naeem Mohaiemen, Two Meetings and a Funeral (2017). Three-channel digital video installation, colour, sound 85 min., co-commissioned by Sharjah Art Foundation and Ford Foundation Just Films. Additional support by Arts Council England, Bengal Foundation, Bangladesh, and Tensta Konsthall

Naeem Mohaiemen, Tripoli Cancelled, 2017, single channel film

Naeem Mohaiemen, Tripoli Cancelled, 2017, single channel film

Charlotte Prodger. Photography: Emile Holba 2018

Charlotte Prodger, Stoneymollan Trail, 2015. Single channel video with sound, 43 minutes. Installation View: Bergen Kunsthall, 2017. Courtesy of the artist, Koppe Astner, Glasgow and Hollybush Gardens, London. Photography: Thor Brødreskift

Charlotte Prodger, Stoneymollan Trail, 2015. Single channel video with sound, 43 minutes. Installation View: Bergen Kunsthall, 2017. Courtesy of the artist, Koppe Astner, Glasgow and Hollybush Gardens, London. Photography: Thor Brødreskift

Charlotte Prodger, still from BRIDGIT, 2016. Single channel video with sound, 32 minutes. Courtesy of the artist, Koppe Astner, Glasgow and Hollybush Gardens, London. Photography: Thor Brødreskift

Luke Willis Thompson. Image courtesy of the artist

Luke Willis Thompson, autoportrait, 2017. Installation view, Chisenhale Gallery 2017. Commissioned by Chisenhale Gallery and produced in parrtnership with Create. Courtesy of the artist. Photography: Andy Keate

Luke Willis Thompson, autoportrait, 2017. Installation view, Chisenhale Gallery 2017. Commissioned by Chisenhale Gallery and produced in parrtnership with Create. Courtesy of the artist. Photography: Andy Keate
The work of the nominees will be exhibited at Tate Britain from 25 September and the winner will be announced in December.